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Helena National Forest |
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Prehistoric Rock Art on the Helena National Forest
The rock art panels were “interactive” rather than static works of pictographic art. A unique feature of central Montana rock art is that many panels and figures show evidence of prehistoric scraping and scratching. It is deliberate and typically is concentrated in the center of the rock art motifs. These various figures have also been repainted and spattered with more paint. The purpose in scraping these paintings is uncertain. It might have been done to capture the power in the figures or paint pigment, or it might have been done to cancel it. Paint spatter—or the tiny paint droplets that create a halo effect around some designs—also reflect re-use of some panels. The spattering is the last episode of painting and presumably reflects some type of ritual interaction with older paintings.
Researchers estimate that this tradition predates 1700 AD and may extend back to 500 AD. Radiocarbon dates from four rock art sites on the forest date from 1300 to 960 years before present (AD 650 to 1300 AD). What is the purpose of rock art? Hunters and gatherers almost universally view rock art sites as places of concentrated supernatural potency or as interfaces with the world of spirits. As with many hunter-gatherers world-wide, American Indians considered direct access to the supernatural the norm. Securing a guardian spirit was important among many North American Indian people. People especially involved with the supernatural became shamans (“medicine men”).
This interpretation does not fit all sites in the Helena area, nor throughout Montana. Early rock art styles portray hunting scenes. Later art—called the Biographic style—was done to portray the exploits and deeds of warriors. Ancient rock art is extremely rare and fragile. Rock art locations retain spiritual value to tribal people. Please enjoy viewing any pictographs you may encounter but do not touch them or enhance with chalk, pencil or water for photographic purposes.
The Past Belongs to Everyone References: Plains Indian Rock Art. 2001, James D. Keyser and Michael A. Klassen, University of Washington Press, Seattle. The Hellgate Pictographs: Shamanism and Ritual in West-Central Montana. 2000, Sara A. Scott, James D. Keyser and Jannie H.N. Loubser, Archaeology in Montana. Volumer 41, Number 1. AMS Dates from Four Late Prehistoric Period Rock Art Sites in West Central Montana. 2005, Sara A. Scott, Carl M. Davis, Karen L. Steelman, Marvin W. Rowe and Tom Guilderson, Plains Anthropologist, Volume 50, Number 193.
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USDA Forest Service - Helena National Forest |
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